How Samuel L. Jackson Became his Own Genre

By PAT JORDAN

Artice Reprint 

Before “The Mountaintop” opened on Broadway last fall, there were rumors that this fictional account of Martin Luther King Jr.’s last night before his assassination would present him as a flawed man, one who drinks and flirts with a motel maid.

Kenny Leon, the director, told me recently, however, that he never would have had anything to do with something “that destroyed the iconic nature of Dr. King.” In fact, he said, when he first read the play, he realized that its innocently childlike King could be played only by “a sensitive actor bigger than life” — his friend Sam Jackson.

Leave a Reply

Your email address will not be published.

%d bloggers like this: